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Irving Kriesberg

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From the Archive: Irving Kriesberg's New York Times Obituary

November 11, 2019 Irving Kriesberg Estate
Fox, Margalit. "Irving Kriesberg, 90, Artist of Dreamlike Landscapes." New York Times (New York, New York), November 18, 2009, p. A28.

Fox, Margalit. "Irving Kriesberg, 90, Artist of Dreamlike Landscapes." New York Times (New York, New York), November 18, 2009, p. A28.

Ten years ago today, Irving Kriesberg passed away at the age of 90. In his New York Times obituary (published on Nov. 18, 2009), Margalit Fox writes: “Where hard-line Abstract Expressionists shunned figural elements in their work, Mr. Kriesberg used them lavishly. As a result, he was often called a Figurative Expressionist; the term applied to midcentury Expressionists whose work was not strictly abstract.

But as often as not, Mr. Kriesberg’s work transcended category. Though it teemed with figures — frogs, birds, people, angels and much else — it was anything but representational. Normally small creatures tower and loom, dancers weave through space at unorthodox angles, and customarily static objects appear fluid and sinuous. All these things gave his work a sense of wit and mystery.”

Read the full New York Times obituary here.

In Archive, Publications Tags Irving Kriesberg, New York Times, Obituary, Press Clipping

From the Archive: Prometheus in Poetry

August 29, 2019 Irving Kriesberg Estate
Irving Kriesberg, Prometheus, 1978, oil on canvas, 58 x 44 in. Collection of University Art Museum, University at Albany, State University of New York, Albany, New York

Irving Kriesberg, Prometheus, 1978, oil on canvas, 58 x 44 in. Collection of University Art Museum, University at Albany, State University of New York, Albany, New York

The feminist author, Jane Alpert, was inspired and awestruck seeing the painting Prometheus (1978) by Kriesberg and wrote a poem in response to it. The typewritten poem is titled “On A Painting by Irving Kriesberg” (1978). This post analyzes the painting and features Alpert’s original typewritten poem, which is in the archives of the Irving Kriesberg Estate.

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In Archive, Featured works, Publications Tags Irving Kriesberg, Mythology, Buddhism, Annunciation, Poetry

New Essay: Full Circle - A connection between Kriesberg and Pollock

August 27, 2019 Irving Kriesberg Estate
View fullsize  Irving Kriesberg,  Profane Love or The Fall of Man , 1946, oil on Masonite. Collection of the Estate of Irving Kriesberg
View fullsize  Jackson Pollock,  Circle , 1938-41, oil on composition board. © 2019 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
View fullsize  Irving Kriesberg,  Angel with Medallion , 1947, oil on canvas. Collection of the Estate of Irving Kriesberg

During the 1940s, there was a creative zeitgeist between two proponents of Expressionist painting, Irving Kriesberg and Jackson Pollock. Pollock's circular painting, aptly titled Circle (c. 1938-41), and Kriesberg's series of 'wheel' paintings (c. 1946-1948) share specific affinities that speak to each artist's interests connecting Expressionism with non-European modes of art. 

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In Featured works, Publications Tags Irving Kriesberg, Jackson Pollock, Mexico

New Essay: From East Looking West: Revisiting the work of Irving Kriesberg

July 22, 2019 Irving Kriesberg Estate

Irving Kriesberg, India, O My Beloved!, 1992, Oil and pastel on canvas, 66 1/4 x 84 3/8 in. (168.3 x 214.3 cm) Collection of the Estate of Irving Kriesberg, New York

New Essay: On the occasion of the centennial of the birth of Irving Kriesberg, the Estate of Irving Kriesberg is pleased to present East Looking West: Revisiting and repositioning the work of Irving Kriesberg  a new essay by Tuong Linh Do. The text focuses on the Eastern Buddhist and Hindu influences that are present within Kriesberg’s art.

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In Publications Tags Irving Kriesberg, Buddhism, Hinduism, Toung Linh Do, Art History

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